See More Your browser does not support the audio element. Sleeve-front: I’ve had the record out and I’ve played ita lot. Iconic image that required only scanning to add here. Rapture gave Baker one moving hit after another, including "Sweet Love," "Caught up in the Rapture," "Same Ole Love," and "No One in This World." Praising Baker in a 1986 interview, veteran R&B critic Steve Ivory asserted, "To me, singers like Anita Baker and Frankie Beverly define what R&B or soul music is all about." Indeed, Rapture's tremendous success made it clear that there was still a sizeable market for adult-oriented, more traditional R&B singing. Front cover: This copy is in great shape despite its age. To its credit, Elektra made her a major star by focusing on Baker's strong point - romantic but gospel-influenced R&B/pop ballads and "slow jams," sometimes with jazz overtones - and letting her be true to herself. Baker, seeking more control over her next project, signed with Elektra Records and named herself the executive producer of Rapture, the implication being that even if she didn’t personally. Elektra gave her a strong promotional push, and the equally superb Rapture became the megahit that The Songstress should have been. In fact, Baker was earning her living as a legal secretary in her native Detroit when she signed with Elektra in the mid-'80s. Though Anita Baker got some airplay out of The Songstress, that promising solo debut didn't bring her financial security. Purchase and download this album in a wide variety of formats depending on your needs.
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